MFA, Painting & Printmaking, Virginia Commonwealth University, Richmond, VA, 2008
Licenciatura (BFA), Facultad de Artes Plásticas, Universidad Veracruzana, Xalapa, México, 2002

Linea Alba, Soloway, Brooklyn, NY, 2021
Elbow to Knee, Essex Flowers, New York, NY, 2019
The Beating of the Fruit Tree, street performance, Brooklyn, NY / Kingston, NY, 2018
, street performance (10 weeks), Brooklyn, NY, 2017
Wish Me Good Luck, Ortega y Gasset Projects, Brooklyn, NY, 2016

Left Off, Underdonk, Brooklyn, NY, 2020
Three-Legged Race, Essex Flowers, New York, NY, 2019
Fur Cup, Underdonk, Brooklyn, NY, 2019
The Buddy System, Deanna Evans Projects, Brooklyn, NY, 2018
Several Years Have Passed
, Soloway Gallery, Brooklyn, NY, 2018
Everything Continues, Five Myles Gallery, Brooklyn, NY, 2017
245 Varet Street, 2016
Made in the US, TSA, New York, NY, 2014
Keep Me Posted, Stephen and George Laundry line, Queens, NY, 2014
Actualize, Ortega y Gasset Projects, Queens, NY, 2014
Brucennial, New York, NY, 2014
, New York, NY, 2012
The Nelson-Atkins Museum of Art, Kansas City, MO, 2010
Medium Love, Transmission Gallery, Richmond, VA, 2008

Ortega y Gasset Projects, Brooklyn, NY, 2020
Underdonk, Brooklyn, NY, 2020
San Marcos Tlapazola, Oaxaca, Mexico, 2019
Stone Leaf Retreat, Kingston, NY, 2018

Mónica Palma interviewed by Leah Beeferman, Variables, June 2021
La Vareada (The Beating of the Fruit Tree)
, Emergency Index:  An Annual Document of Performance Practice, Vol. 8, Ugly Duckling Presse
Studio Visit with Mónica Palma: IN BETWEEN, Jenn Dierdorf, The Coastal Post, 2019
Several Years Have Passed, Artforum, “Critics Picks,” Nicole Kaack, April 2018
Wish Me Good Luck, Art in America, Julian Kremer, February 2017
Artforum, “Critics Picks,” January 2014
Actualize: A conversation with Mónica Palma, Temporary Art Review, Joshua Bienko, March 2014